_ANCIENTS AND MODERNS_
The great dispute between the ancients and the moderns is not yet
settled; it has been on the table since the silver age succeeded the
golden age. Mankind has always maintained that the good old times were
much better than the present day. Nestor, in the "Iliad," wishing to
insinuate himself as a wise conciliator into the minds of Achilles and
Agamemnon, starts by saying to them--"I lived formerly with better men
than you; no, I have never seen and I shall never see such great
personages as Dryas, Cenaeus, Exadius, Polyphemus equal to the gods,
Posterity has well avenged Achilles for Nestor's poor compliment. Nobody
knows Dryas any longer; one has hardly heard speak of Exadius, or of
Cenaeus; and as for Polyphemus equal to the gods, he has not too good a
reputation, unless the possession of a big eye in one's forehead, and
the eating of men raw, are to have something of the divine.
Lucretius does not hesitate to say that nature has degenerated (lib. II.
v. 1159). Antiquity is full of eulogies of another more remote
antiquity. Horace combats this prejudice with as much finesse as force
in his beautiful Epistle to Augustus (Epist. I. liv. ii.). "Must our
poems, then," he says, "be like our wines, of which the oldest are
The learned and ingenious Fontenelle expresses himself on this subject
"The whole question of the pre-eminence between the ancients and the
moderns, once it is well understood, is reduced to knowing whether the
trees which formerly were in our countryside were bigger than those of
to-day. In the event that they were, Homer, Plato, Demosthenes cannot
be equalled in these latter centuries.
"Let us throw light on this paradox. If the ancients had more intellect
than us, it is that the brains of those times were better ordered,
formed of firmer or more delicate fibres, filled with more animal
spirits; but in virtue of what were the brains of those times better
ordered? The trees also would have been bigger and more beautiful; for
if nature was then younger and more vigorous, the trees, as well as
men's brains, would have been conscious of this vigour and this youth."
("Digression on the Ancients and the Moderns," vol. 4, 1742 edition.)
With the illustrious academician's permission, that is not at all the
state of the question. It is not a matter of knowing whether nature has
been able to produce in our day as great geniuses and as good works as
those of Greek and Latin antiquity; but to know whether we have them in
fact. Without a doubt it is not impossible for there to be as big oaks
in the forest of Chantilli as in the forest of Dodona; but supposing
that the oaks of Dodona had spoken, it would be quite clear that they
had a great advantage over ours, which in all probability will never
Nature is not bizarre; but it is possible that she gave the Athenians a
country and a sky more suitable than Westphalia and the Limousin for
forming certain geniuses. Further, it is possible that the government of
Athens, by seconding the climate, put into Demosthenes' head something
that the air of Climart and La Grenouillere and the government of
Cardinal de Richelieu did not put into the heads of Omer Talon and
This dispute is therefore a question of fact. Was antiquity more fecund
in great monuments of all kinds, up to the time of Plutarch, than modern
centuries have been from the century of the Medicis up to Louis XIV.
The Chinese, more than two hundred years before our era, constructed
that great wall which was not able to save them from the invasion of the
Tartars. The Egyptians, three thousand years before, had overloaded the
earth with their astonishing pyramids, which had a base of about ninety
thousand square feet. Nobody doubts that, if one wished to undertake
to-day these useless works, one could easily succeed by a lavish
expenditure of money. The great wall of China is a monument to fear; the
pyramids are monuments to vanity and superstition. Both bear witness to
a great patience in the peoples, but to no superior genius. Neither the
Chinese nor the Egyptians would have been able to make even a statue
such as those which our sculptors form to-day.
The chevalier Temple, who has made it his business to disparage all the
moderns, claims that in architecture they have nothing comparable to the
temples of Greece and Rome: but, for all that he is English, he must
agree that the Church of St. Peter is incomparably more beautiful than
the Capitol was.
It is curious with what assurance he maintains that there is nothing new
in our astronomy, nothing in the knowledge of the human body, unless
perhaps, he says, the circulation of the blood. Love of his own opinion,
founded on his vast self-esteem, makes him forget the discovery of the
satellites of Jupiter, of the five moons and the ring of Saturn, of the
rotation of the sun on its axis, of the calculated position of three
thousand stars, of the laws given by Kepler and Newton for the heavenly
orbs, of the causes of the precession of the equinoxes, and of a hundred
other pieces of knowledge of which the ancients did not suspect even the
The discoveries in anatomy are as great in number. A new universe in
little, discovered by the microscope, was counted for nothing by the
chevalier Temple; he closed his eyes to the marvels of his
contemporaries, and opened them only to admire ancient ignorance.
He goes so far as to pity us for having nothing left of the magic of the
Indians, the Chaldeans, the Egyptians; and by this magic he understands
a profound knowledge of nature, whereby they produced miracles: but he
does not cite one miracle, because in fact there never were any. "What
has become," he asks, "of the charms of that music which so often
enchanted man and beast, the fishes, the birds, the snakes, and changed
This enemy of his century really believes the fable of Orpheus, and has
not apparently heard either the beautiful music of Italy, or even that
of France, which in truth does not charm snakes, but does charm the ears
What is still more strange is that, having all his life cultivated
belles-lettres, he does not reason better about our good authors than
about our philosophers. He looks on Rabelais as a great man. He cites
the "Amours des Gaules" as one of our best works. He was, however, a
scholar, a courtier, a man of much wit, an ambassador, a man who had
reflected profoundly on all he had seen. He possessed great knowledge: a
prejudice sufficed to spoil all this merit.
There are beauties in Euripides, and in Sophocles still more; but they
have many more defects. One dares say that the beautiful scenes of
Corneille and the touching tragedies of Racine surpass the tragedies of
Sophocles and Euripides as much as these two Greeks surpass Thespis.
Racine was quite conscious of his great superiority over Euripides; but
he praised the Greek poet in order to humiliate Perrault.
Moliere, in his good pieces, is as superior to the pure but cold
Terence, and to the droll Aristophanes, as to Dancourt the buffoon.
There are therefore spheres in which the moderns are far superior to the
ancients, and others, very few in number, in which we are their
inferiors. It is to this that the whole dispute is reduced.